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Wikipedia:WikiProject Films/Style guidelines

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Blue check.svg This page documents an English Wikipedia style guideline. It is a generally accepted standard that editors should attempt to follow, though it is best treated with common sense, and occasional exceptions may apply. Any substantive edit to this page should reflect consensus. When in doubt, discuss first on the talk page. Shortcuts:
WP:MOSFILM
MOS:FILM

The following is a style guide for those who edit Film-related articles under Wikipedia:WikiProject Films. This is only a guide, and may change depending on Wikipolicy or participant consensus. For other guidelines:

Notability guidelines

Naming conventions

  • If a non-film article already exists with the name of the film that you are trying to create an article for, disambiguate and use (film) in the title: Film Title (film).
  • If a film article already exists with the name of the film that you are trying to create an article for, use (YEAR film) in the title: Film Title (YEAR film). Rename the already existing article's title and change it to Film Title (YEAR film) also.

Previously, both Film Title (film) and Film Title (movie) were accepted as film article names; however, this has since changed due to a talk page consensus in early July 2005. The correct title format is Film Title (film).

Primary topics

Lead section

The lead section should introduce the film and provide a summary of the most important aspects of the film from the article body. At minimum, the opening sentence should identify the title of the film, the year of its public release, and the major genre(s) under which it is normally classified. For presentation of foreign-language titles, see the naming conventions for foreign-language films. Ideally, the nationality of the film (based on its home studio) should be identified in the opening sentence. If the nationality is ambiguous, clarify the circumstances at a later point in the first paragraph. The first paragraph of the lead section should also identify the director and the star or stars of the film. If any writers or producers are well-known, they can also be identified in the paragraph. If the film is based on source material, that source material and its creators should be identified. If possible, convey the general premise of the film in the paragraph and identify actors' roles in the premise.

Succeeding paragraphs in the lead section should cover important aspects of the film detailed in the article body and not mentioned already in the first paragraph. These include milestones or major events in the film's production, prominent themes, reception of the film by critics and audiences, box office grosses and milestones, controversies, summary of awards and honors, spin-offs (e.g., sequels, remakes, other media), and any significant impact the film has made in society. Avoid using "award-winning" and similar phrases in the opening sentence to maintain a neutral point of view and summarize the awards in the proper context in a later paragraph of the lead section.

Plot

Shortcut:
WP:FILMPLOT

Per WP:PLOT, Plot summaries in film articles are appropriate to complement wider coverage about the films' production, reception, themes, and other real-world aspects. Since films are primary sources in their articles, basic descriptions of their plots are acceptable. WP:PSTS says, "...a primary source may be used only to make descriptive claims, the accuracy of which is verifiable by a reasonable, educated person without specialist knowledge... Do not make analytic, synthetic, interpretive, explanatory, or evaluative claims about information found in a primary source." Plot summaries should exist as self-contained sections ("Plot", "Plot summary") in film articles. Since the film is the primary source and the infobox provides details about the film, citing the film explicitly in the plot summary's section is not necessary. Exceptions to the rule include upcoming films and "lost" films (which are not available to the public to verify), for which editors should use secondary sources.

Plot summaries for feature films should be between 400 and 700 words. The summary should not exceed the range unless the film's structure is unconventional, such as Pulp Fiction's non-linear storyline, or unless the plot is too complicated to summarize in this range. (Discuss with other editors to determine if a summary cannot be contained within the proper range.) Complicated plots may occasionally require clarifications from secondary sources, so cite these sources in the section. If there are differing perspectives of a film's events from secondary sources, simply describe the events on screen as basically as possible in the plot summary and report interpretations in another section of the article. Lastly, events in the film do not have to be written in the order in which they appear on screen. If necessary, reorder the film's events to improve understanding of the plot. See how to write a plot summary for more in-depth suggestions.

The plot summary is an overview of the film's main events, so avoid minutiae like dialogue, scene-by-scene breakdowns, and technical detail. Per Wikipedia's content disclaimer and guideline on spoilers, all of the film's important events should be outlined without censoring details considered spoilers and without using disclaimers or warnings in the article. In short, Wikipedia contains spoilers; please respect this policy.

Cast

Shortcut:
WP:FILMCAST

Background information about the cast and crew should be provided, ideally as well-written prose. There are several ways to provide such information: Halloween contains "Writing", "Casting", "Direction" and "Music" subsections within the "Production" section, which uses well-written prose to describe the casting and staffing decisions made, as well as discussing the reasons behind some of the cast decisions, the thoughts of the actors themselves about their roles, and some brief explorations of their careers before and after the film, e.g:

The part of Dr. Sam Loomis was offered to Peter Cushing and Christopher Lee; both declined the part due to the low salary. English actor Pleasence—Carpenter's third choice—agreed to star. Pleasence has been called "John Carpenter's big landing." Pleasence's daughter supposedly saw Carpenter's Assault on Precinct 13 and liked it, thus encouraging her father to star in Halloween. Americans were already acquainted with Pleasence as the villain Ernst Stavro Blofeld in the James Bond film You Only Live Twice (1967).