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Southern and Northern Dynasties

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A limestone statue of the Bodhisattva, from the Northern Qi Dynasty, 570 AD, made in what is now modern Henan province.

The Southern and Northern Dynasties (Chinese: ; pinyin: nánběicháo; 420589 AD) was a period in the history of China, following the Jin Dynasty (265–420) and followed by the Sui Dynasty. It was an age of civil war and political disunity. However it was also a time of flourishing in the arts and culture, advancement in technology, and the spread of foreign Mahayana Buddhism and native Daoism. Distinctive Chinese Buddhism was also matured during this time and shaped by the northern and southern dynasties alike.

During this period the process of sinicization accelerated among the non-Chinese arrivals in the north and among the aboriginal tribesmen in the south. Many northern Chinese also immigrated to the south. This process was also accompanied by the increasing popularity of Buddhism (introduced into China in the first century AD) in both north and south China, along with Daoism gaining influence from the outline of Buddhist scriptures (with two essential Daoist canons written during this period). Although multiple story towers such as guard towers and residential apartments existed in previous periods of China [1], during this period the distinct Chinese pagoda tower (for storing Buddhist scriptures) evolved from the stupa, the latter originating from Buddhist traditions of protecting sutras in ancient India.

The south and north developed into a relatively stable equilibrium, due to geographical differences. The flat steppes of the north gave a significant edge to cavalry, while the hilly and mountainous riverlands of the south gave a significant edge to naval warfare. A strong navy on the Yangtze River could protect the south from the north, since cavalry was almost useless in the mountainous riverlands. Likewise, logistical difficulties for the horse-poor south made it difficult to maintain a successful northern campaign. Depending on the relative strengths of the states, the Huai River area and the Sichuan basin were the primary areas of significant territorial changes. This barrier was only overcome by the first Emperor of the Sui Dynasty, who built a large invading navy in the Sichuan basin, hence his ability to more easily conquer the south and reunify China.

Despite (or perhaps because of) the political disunity of the times, there were notable technological advances in China. With the invention of the stirrup during the earlier Western Jin Dynasty, not only were cavalry tactics improved immensely, but heavily armored Chinese cavalry also became the norm in this age. Advances in medicine, astronomy, mathematics, and cartography are also noted by historians. The famous Chinese mathematician and astronomer Zu Chongzhi (429500 AD) belonged to this age, an intellectual and social product of the elite culture shaped and developed in southern China during this period of time.

The Chinese arts of poetry, calligraphy, painting, and music flourished during this period like never before, as Chinese aristocrats mainly in the south were socially expected to master these as their pastimes. Although the north had its cultural achievements, the south (specifically at the capital of Nanjing) was the place for higher cultural achievement, elitist culture, artistic refinement, and new standards of art that ranked artists according to their various abilities.

The Division

History of China
History of China
ANCIENT
3 Sovereigns and 5 Emperors
Xia Dynasty 2100–1600 BC
Shang Dynasty 1600–1046 BC
Zhou Dynasty 1045–256 BC
 Western Zhou
 Eastern Zhou
   Spring and Autumn Period
   Warring States Period
IMPERIAL
Qin Dynasty 221 BC–206 BC
Han Dynasty 206 BC–220 AD
  Western Han
  Xin Dynasty
  Eastern Han
Three Kingdoms 220–280
  Wei, Shu & Wu
Jin Dynasty 265–420
  Western Jin 16 Kingdoms
304–439
  Eastern Jin
Southern & Northern Dynasties
420–589
Sui Dynasty 581–618
Tang Dynasty 618–907
  ( Second Zhou 690–705 )
5 Dynasties &
10 Kingdoms

907–960 Liao Dynasty
907–1125
Song Dynasty
960–1279
  Northern Song W. Xia
  Southern Song Jin
Yuan Dynasty 1271–1368
Ming Dynasty 1368–1644
Qing Dynasty 1644–1911
MODERN
Republic of China 1912–1949
People's Republic
of China

1949–present
Republic
of China

(Taiwan)
1945–present




The Southern Dynasties

Although powerful in the conquest of the Wu Kingdom in 280 AD, the Jin Dynasty was severely weakened after the War of the Eight Princes from 291 to 306 AD. During the reigns of Emperor Huai of Jin and Emperor Min of Jin, the country was put into grave danger with the uprising of the Wu Hu. The sieges and ultimate sacking of Luoyang in the year 311 and Chang'an in the year 316 by invading barbarian armies almost destroyed the dynasty. However, a scion of the royal house, the Prince of Langya, fled south to salvage what was left in order to sustain the empire. Cementing their power in the south, the Jin established modern-day Nanjing (then called Jiankang) as their new capital, renaming the dynasty as the Eastern Jin (317420 AD) since the new capital was located southeast of Luoyang.

A scene of two horseback riders from a wall painting in the tomb of Lou Rui at Taiyuan, Shanxi, Northern Qi Dynasty (550–577)

It was during the Southern and Northern Dynasties period that southern China (below the Yangtze River) was greatly developed from its previous state of early Chinese colonization and settlement. Beforehand, the south was inhabited by small and isolated communities of Chinese in a vast uncolonized wilderness of non-Chinese tribes, starting as a near peripheral frontier and changing into a thriving, urbanized, sinicized region of China. In his book Buddhism in Chinese History, Arthur F. Wright points out this fact by stating:

When we speak of the area of the Yangtze valley and below in the period of disunion, we must banish from our minds the picture of the densely populated, intensively cultivated South China of recent centuries. When the aristocrats of the remnants of the Chin [Jin] ruling house fled to the Nanking [Nanjing] area early in the fourth century, the south contained perhaps a tenth of the population of China. There were centers of Chinese culture and administration, but around most of these lay vast uncolonized areas into which Chinese settlers were slow to move.

Although the Chinese of the Eastern Jin (and successive southern dynasties) were well-defended from the northern barbarians by placement of naval fleets along the Yangtze River, there were still various problems faced with building and maintaining military strength. The designation of specific households for military service eventually led to a falling out in their social status, causing widespread desertion of troops on many occasions. Faced with shortage of troop numbers, Jin generals were often sent on campaigns to capture non-Chinese tribesman in the south in order to draft them into the military. The Eastern Jin Dynasty fell not because of external invasion, though, but because the regent Liu Yu seized the throne from Emperor Gong of Jin, becoming Emperor Wu of Liu Song (reigned 420422 AD).

Northern Wei wall murals and painted figurines from the Yungang Grottoes.

The southern dynasties of China were rich in cultural achievement, with the flourishing of Buddhism and Daoism; especially the latter as two new canons of scriptual writings were created for the Supreme Purity sect and its rival the Numinous Treasure Sect. The southern Chinese were influenced greatly by the writings of Buddhist monks such as Huiyuan, who applied familiar Daoist terms to describe Buddhism for other Chinese. The Chinese were in contact and influenced by cultures of India and trading partners farther south, such as the kingdoms of Funan and Champa (located in modern-day Cambodia and Vietnam). The Chinese arts of poetry, calligraphy, painting, and playing of music found greater precedent during this age, as their sophistication and complexity reached new heights. The earlier Cao Zhi, son of Cao Cao, is regarded as one of the greatest poets of his day. His style and deep emotional expression in writing influenced later poets of this new age, such as Tao Qian (365427 AD) or Tao Yuanming. Even during his lifetime, the written calligraphy of the "Sage of Calligraphy", Wang Xizhi (307365 AD), was prized by many and considered a true form of personal expression like other arts. In regards to painting, this art became highly prized with artists such as Gu Kaizhi (344406 AD), who largely established the tradition of landscape art in classical Chinese painting (to learn more, refer to the "Far East" section of the article for Painting). Institutions of learning in the south were also renowned, including the Zongmingguan (Imperial Nanjing University), where the famed Zu Chongzhi (mentioned above) had studied. Zu Chongzhi devised the new Daming Calendar in 465 AD, calcuated one year as 365.24281481 days (which is very close to 365.24219878 days as we know today), and calculated the number of overlaps between sun and moon as 27.21223 (which is very close to 27.21222 as we know today). Using this number he successfully predicted 4 eclipses during a period of 23 years (from 436459 AD).