Hermes (pronounced /ˈhɜrmiːz/; Greek Ἑρμῆς) is the great messenger of the gods in Greek mythology and additionally as a guide to the Underworld. An Olympian god, he is also the patron of boundaries and of the travelers who travel across them, of shepherds and cowherds, of the cunning of thieves and liars, of orators and wit, of literature and poets, of athletics and sports, of weights and measures, of invention, and of commerce in general.[1] His symbols include the tortoise, the rooster, the winged sandals, the winged hat, and the caduceus (given to him by Apollo in exchange for the lyre). In the Roman adaptation of the Greek religion. (see interpretatio romana), Hermes was identified with the Roman god Mercury, who, though inherited from the Etruscans, developed many similar characteristics, such as being the patron of commerce.
The Homeric hymn to Hermes invokes him as the one "of many shifts (polytropos), blandly cunning, a robber, a cattle driver, a bringer of dreams, a watcher by night, a thief at the gates, one who was soon to show forth wonderful deeds among the deathless gods."[2]
He protects and takes care of all the travelers, miscreants, harlots, old crones and thieves that pray to him or cross his path. He is athletic and is always looking out for runners, or any athletes with injuries who need his help. Hermes is a messenger from the gods to humans, sharing this role with Iris. An interpreter who bridges the boundaries with strangers is a hermeneus. Hermes gives us our word "hermeneutics" for the art of interpreting hidden meaning. In Greek a lucky find was a hermaion. Hermes delivered messages from Olympus to the mortal world. He wears shoes with wings on them and uses them to fly freely between the mortal and immortal world. Hermes was the second youngest of the Olympian gods, being born before Dionysus.
Hermes, as an inventor of fire,[3] is a parallel of the Titan, Prometheus. In addition to the lyre, Hermes was believed to have invented many types of racing and the sports of wrestling and boxing, and therefore was a patron of athletes.[4]
According to prominent folklorist Yeleazar Meletinsky, Hermes is a deified trickster.[5] Hermes also served as a psychopomp, or an escort for the dead to help them find their way to the afterlife (the Underworld in the Greek myths). In many Greek myths, Hermes was depicted as the only god besides Hades, Persephone, Hecate, and Thanatos who could enter and leave the Underworld without hindrance.
Hermes often helped travelers have a safe and easy journey. Many Greeks would sacrifice to Hermes before any trip.
In the fully-developed Olympian pantheon, Hermes was the son of Zeus and the Pleiade Maia, a daughter of the Titan Atlas. Hermes' symbols were the cock and the tortoise, and he can be recognized by his purse or pouch, winged sandals, winged cap, and the herald's staff, the kerykeion. The night he was born he slipped away from Maia and stole his elder brother Apollo's cattle.
Hermes Kriophoros, Hermes, lamb-bearer appears early and later. His ram connection appears in the earliest Mycenaean Linear B inscription bearing his name. And Pausanias reports the lamb-carrying rites still being performed at the Boeotian city of Tanagra in the late second century of the Common Era.
Hermes' epithet Argeiphontes (Latin Argicida), or Argus-slayer, recalls his slaying of the hundred eyed giant Argus Panoptes, who was watching over the heifer-nymph Io in the sanctuary of Queen Hera herself in Argos. Putting Argus to sleep, Hermes used a spell to close all of Argus' eyes and then slew the giant. Argus' eyes were then put into the tail of the peacock, symbol of the goddess Hera.
His epithet of Logios is the representation of the god in the act of speaking, as orator, or as the god of eloquence. Indeed, together with Athena, he was the standard divine representation of eloquence in classical Greece. The Homeric Hymn to Hermes (probably 6th century BCE) describes Hermes making a successful speech from the cradle to defend himself from the (true) charge of cattle theft. Somewhat later, Proclus' commentary on Plato's Republic describes Hermes as the god of persuasion. Yet later, Neoplatonists viewed Hermes Logios more mystically as origin of a "Hermaic chain" of light and radiance emanating from the divine intellect (nous). This epithet also produced a sculptural type.
Other epithets included:
Though temples to Hermes existed throughout Greece, a major center of his cult was at Pheneos in Arcadia, where festivals in his honor were called Hermoea.
As a crosser of boundaries, Hermes Psychopompos' ("conductor of the soul") was a psychopomp, meaning he brought newly-dead souls to the Underworld and Hades. In the Homeric Hymn to Demeter, Hermes conducted Persephone the Kore (young girl or virgin), safely back to Demeter. He also brought dreams to living mortals.
Among the Hellenes, as the related word herma ("a boundary stone, crossing point") would suggest, Hermes embodied the spirit of crossing-over: He was seen to be manifest in any kind of interchange, transfer, transgressions, transcendence, transition, transit or traversal, all of which involve some form of crossing in some sense. This explains his connection with transitions in one’s fortune—with the interchanges of goods, words and information involved in trade, interpretation, oration, writing—with the way in which the wind may transfer objects from one place to another, and with the transition to the afterlife.
Many graffito dedications to Hermes have been found in the Athenian Agora, in keeping with his epithet of Agoraios and his role as patron of commerce.[6]
Originally, Hermes was depicted as an older, bearded, phallic god, but in the late 4th century BCE, the traditional Hermes was reimagined as an athletic youth (illustration, top right). Statues of the new type of Hermes stood at stadia and gymnasia throughout Greece.
In Ancient Greece, Hermes was a phallic god of boundaries. His name, in the form herma, was applied to a wayside marker pile of stones; each traveller added a stone to the pile. In the 6th century BCE, Hipparchos, the son of Pisistratus, replaced the cairns that marked the midway point between each village deme at the central agora of Athens with a square or rectangular pillar of stone or bronze topped by a bust of Hermes with a beard. An erect phallus rose from the base. In the more primitive Mount Kyllini or Cyllenian herms, the standing stone or wooden pillar was simply a carved phallus. In Athens, herms were placed outside houses for good luck. "That a monument of this kind could be transformed into an Olympian god is astounding," Walter Burkert remarked (Burkert 1985).
In 415 BCE, when the Athenian fleet was about to set sail for Syracuse during the Peloponnesian War, all of the Athenian hermai were vandalized one night. The Athenians at the time believed it was the work of saboteurs, either from Syracuse or from the anti-war faction within Athens itself. Socrates' pupil Alcibiades was suspected of involvement, and Socrates indirectly paid for the impiety with his life.
From these origins, hermai moved into the repertory of Classical architecture.
Hermes was usually portrayed wearing a broad-brimmed dush's hat or a winged cap (petasus), wearing winged sandals (talaria), and carrying his Near Eastern herald's staff – either a caduceus entwined by serpents, or a kerykeion topped with a symbol similar to the astrological symbol of Taurus the bull. Hermes wore the garments of a traveler, worker, or shepherd. He was represented by purses or bags, cocks (illustration, left), and tortoises. When depicted as Hermes Logios, he was the divine symbol of eloquence, generally shown speaking with one arm raised for emphasis.
Hermes was born on Mount Kellina|Mount Cyllene in Arcadia. According to the Homeric Hymn to Hermes, Zeus in the dead of night secretly begot Hermes upon Maia, a nymph. The Greeks generally applied the name Maia to a midwife or a wise and gentle old woman; so the nymph appears to have been an ancient one, or more probably a goddess. At any rate, she was one of the Pleiades, daughters of Atlas, taking refuge in a cave of Mount Cyllene in Arcadia. They were discovered by the local king Abacus, who raised Hermes as his foster son.
The infant Hermes was precocious. His first day he invented the lyre. By nightfall, he had rustled the immortal cattle of Apollo. For the first sacrifice, the taboos surrounding the sacred kine of Apollo had to be transgressed, and the trickster god of boundaries was the one to do it.
Hermes drove the cattle back to Greece and hid them, and covered their tracks. When Apollo accused Hermes, Maia said that it could not be him because he was with her the whole night. However, Zeus entered the argument and said that Hermes did steal the cattle and they should be returned. While arguing with Apollo, Hermes began to play his lyre. The instrument enchanted Apollo and he agreed to let Hermes keep the cattle in exchange for the lyre.
The satyr-like Greek god of nature, shepherds and flocks, Pan was often said to be the son of Hermes through the nymph Dryope. In the Homeric Hymn to Pan, Pan's mother ran away from the newborn god in fright from his goat-like appearance.
Hermaphroditus was an immortal son of Hermes through Aphrodite. He was changed into an androgynous being when the gods literally granted the nymph Salmacis' wish that they never separate.
The god Priapus was a son of Hermes and Aphrodite. In Priapus, Hermes' phallic origins survived. According to other sources, Priapus was a son of Dionysus and Aphrodite
According to some sources, the mischievous winged god of love Eros, son of Aphrodite, was sired by Hermes, though the gods Ares and Hephaestus were also among those said to be the sire, whereas in the Theogeny, Hesiod claims that Eros was born of nothing before the Gods. Eros' Roman name was Cupid. Eros also has magical arrows, with them, he can cause any mortal to fall in love with the next being they see, human or otherwise.