Godzilla is a literal force of nature to Japan. The Godzilla Prediction Network (GPN) functions independently to study the mutant dinosaur and predict his landfalls. Meanwhile, the scientists of Crisis Control Intelligence (CCI) find a sixty million year old UFO deep in the Japan Trench. As CCI attempts to raise the UFO to study it, it takes off into the sky on its own. Godzilla arrives and battles the Japan Self Defense Forces, now equipped with powerful Full Metal Missiles, but the UFO appears, searching for genetic information that only Godzilla possesses. It fights Godzilla to a standstill, driving the monster underwater, and then lands to replenish its solar power.
Yuji Shinoda, the founder of the GPN, discovers the secret to Godzilla's regenerative properties (named Organizer G1 in the Japanese version, but Regenerator G1 in the American release), but so has the UFO. It frees itself from the JSDF's attempts to contain it, and heads for Shinjuku. After landing atop City Tower, it begins to drain all the files about Godzilla from Tokyo's master computers. CCI attempts to destroy the UFO using explosive charges, but Shinoda, attempting to find out more about the aliens, is nearly caught in the blast. He survives, and joins the rest of the cast on a rooftop, watching the UFO. Almost in response, the UFO broadcasts its message of invasion and a new empire on earth, and Shinoda reveals that the aliens are after Godzilla's DNA so that they may re-form their bodies.
Godzilla arrives and again battles the UFO. However, he is subdued by the UFO's assault, and it absorbs some of his Organizer G1, growing into a squid-like creature called the Millennian. However, the Millennian is unable to control Godzilla's DNA and further mutates into a horrible monster named Orga. Godzilla recovers and fights Orga, but it eventually gains the upper hand, and drains more of Godzilla's DNA, trying to convert itself into a Godzilla clone. Finally, Orga opens its maw, intending to swallow Godzilla whole, but Godzilla tricks it by throwing his head into its throat willingly. While Orga begins to transform, Godzilla unleashes his nuclear pulse, beheading Orga and blowing the alien to bits. Godzilla then kills Mitsuo Katagiri, head of CCI, before beginning a rampage through Tokyo.
Godzilla 2000 was produced on a budget of approximately $8,300,000.[1] It opened in Japan on December 11, 1999 and grossed roughly $15,000,000 during its box office run, with approximately 2,000,000 admissions.[1] The film was a moderate box office success, and was Japan's highest-grossing domestic release of the 1999 holiday season, partially due to the Y2K hype of the late 1990s.
Tristar, a division of Sony Pictures, picked up Godzilla 2000 for theatrical distribution in North America. It would be the first and only Japanese Godzilla movie since Godzilla 1985 to be released in North American theatres. Mike Schlesinger, who supervised the North American release, said, "It (Godzilla 2000) was such a spectacular success in Japan, we decided it was worth taking a shot, maybe the time was right for Godzilla to come back to theaters."[2] Sony spent approximately $1 million to re-edit and dub the movie, and an addition $10–12 million to market.[2]
Tristar Pictures released Godzilla 2000 in 2,111 North American theatres on August 18, 2000. It grossed $4,407,720 ($2,087 per screen) in its opening weekend, on its way to a $10,037,390 final gross.[3] Future Millennium Godzilla films would be released direct-to-DVD in North America.
Godzilla 2000 was edited in the process of Americanisation. The U.S. version of the film runs 99 minutes - 8 minutes shorter in comparison to the 107-minute Japanese version. Most of these were minor edits done to improve the pacing, and the sound effects and music were also improved and enhanced. The dubbing has a somewhat humorous, tongue-in-cheek tone to it, apparently in homage to Godzilla dubs of the 60s and 70s, with lines such as "Great Caesar's Ghost!", "Bite me!" and "these missiles will go through Godzilla like crap through a goose!". Some fans have criticised the American version of Godzilla 2000 for "camping up" what they perceive as a "serious" movie; however, Toho and Takao Okawara approved all the changes to the film in advance, and various amusing events throughout the story (such as people comically surviving Godzilla's rampage early in the film) make it evident that it wasn't meant to be taken too seriously.
Among the other alterations:[4]
In the North American theatrical version, the film ended with the words "The End?" in cartoonish lettering. On the DVD commentary, writer Mike Schlesinger and Toho expressed disapproval of the idea. "The End?" was removed from later home video and television releases. (However, the out of print Spanish-subtitled VHS of the film still contains it.)
The North American release of Godzilla 2000 met with mixed to positive critical reaction. It currently holds a rating of 57% at Rotten Tomatoes among all critics. Among the top critics on the site, it holds a "Certified Fresh" rating of 71%.[5]
Bruce Westbrook of the Houston Chronicle said the film "taps into a now-rare and innocent sense of wonder," and that "its action scenes are well-conceived."[6] Owen Gleiberman of Entertainment Weekly gave the film a "B" grade, saying that Godzilla 2000 "lands on an imaginative fault line somewhere between tackiness and awe."[7] Jay Carr of the Boston Globe called Godzilla 2000 "a ton of fun, and then some."[8] Lou Lumenick of the New York Post said "it's great to have the big guy back."[9] James Berardinelli of ReelViews said the film "uses the Godzilla formula effectively" and "represents solid, campy, escapist entertainment."[10] Maitland McDonagh of TV Guide praised the film, saying that "fans won't want to miss this addition to the canon."[11]
Susan Wloszczyna of USA Today said Godzilla 2000 "may be dull, but the familiarity of it all makes it feel ceremonial, a reassuring ritual."[12] David Edelstein of Slate said that he "periodically tranced out," but added that "it's fun to see" and "it still manages to dispel some of the lingering of Roland Emmerich's 1998 remake."[13] Stephen Holden of the New York Times wasn't impressed, saying that "only a die-hard fan of the long-running Japanese Godzilla series could love Godzilla 2000."[14] Similarly, Stephen Hunter of the Washington Post remarked, "Godzilla, go home."[15]
Among kaiju-related websites, Stomp Tokyo said "there are some pretty impressive special effects," and concluded that "Godzilla 2000 delivers fairly well, if not spectacularly."[16] Toho Kingdom criticized the Japanese version, saying "it’s not hard to see why Godzilla 2000 was poorly received in Japan," but added that "the US version ... is infinitely better than its poorly paced Japanese counterpart. In all, the US version make numerous badly needed cuts from the film to tighten it up."[17]
Sony Pictures